Thursday 20 August 2009

The Darkly Lovely DOD YJM308

After a lot of EBay trawling I finally managed to get one of these, the Yngwie signature version of the old DOD 250 overdrive pedal Mr Malmsteen has apparently relied on for years. The YJM version - the number reflects the number of the widdlemeister's favourite Ferrari model, apparently - is based on the original grey version of the 250, not the more recent yellow reissue. Note that we're not talking huge variations in the circuit between models, more component variation. In fact, the DOD 250s/308 share a remarkably similar cicuit to the MXR Distortion + - so much so, in fact, that's it's possible to build clones of any of the units using the same PCB. But I digress, this post is about what you can expect sound-wise from the YJM308, not what you may physically find inside the thing.



What you will physically find on the outside *is* relevant of course. The surprisingly heavy little box comes bedecked with a pair of naff/groovy dependent-upon-perspective 70s-style knobs marked "Gain" and "Level", a heavy-duty switch which protrudes seemingly yards from the unit's surface (well, at least you won't stomp on those knobs by accident), in/out sockets and a side-mounted 3.5mm jack DC input socket (bonkers, eh? - you'll need the DOD PS125 DFX and FX Power Supply or at least figure out how to get your board's supply to pretend it's one). You'll notice I haven't mentioned a status light. That's because there isn't one. There's no easy battery access either - you need to remove the four rather large counter-sunk machine bolts holding the substantial base plate in place to gain access.





I'd been expecting to be able to brush aside the lack of a status light with a casual "don't worry, you'll know when it's on" but this is in fact not the case at all. The effect is in fact pretty subtle - most decidedly "overdrive" and not "distortion". It does affect the guitar's tone - adding an almost wah-wah like quackiness to the top end and a touch of brittleness which can reward good technique but is potentially rather unforgiving. As one might expect given the name on the box, fast runs are articulated nicely. I've read a few reviews of this box that describe it as "bright". I'd not go along with that, I'd say the sound is "forward" - this is a sound for someone who wants to be heard. The YJM308 is the sort of device that will only really come into its own at performance volume levels, where it might just inject that extra something into an already-overdriven sound that'll really bring things to life. It will, I suspect, not be lighting too many fires in woodsheds across the land, but then that's what true distortion pedals are useful for.

I'll be replacing the Allums SD-1 on my pedalboard with this for a while and I'll update this post soon to let you know how the Yngwie box fares in battle.

Update: OK, enough is enough, it's back to the Allums SD-1 for me!

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